| Robert
Barnes. Essay by Michael Rooks. Glen Ellyn Gahlberg Gallery, College
of DuPage, 1997. |
| Chicago
Imagism: A 25 Year Survey. Essay by Dennis Adrian. Davenport: Davenport
Museum of Art, 1994. |
| Still
Working: Underknown Artists of Age in America. Essays by Ann Gibson
and Stuart Shedletsky. New York: Parsons School of Design, 1994. |
| Robert
Barnes 1956-1984, A Survey. Essay by Dennis Adrian. Madison: Madison
Art Center, 1984. |
| Rockford
College Midwest Invitational. Rockford: Rockford College Clark Arts Center
Gallery, 1984. |
| Indiana
Influence: The Golden Age of lndiana Landscape Painting, Indiana's Modern
Legacy, An Inaugural Exhibition of the Fort Wayne Museum of Art. Essay by
Peter Frank: Curated by William Gerdts. Fort Wayne: The Fort Wayne Museum
of Art, 1984. |
| Chicago
Cross Section. Essay by Ron Kroutel. Athens: Trisolini Gallery of Ohio University,
1984. |
| The
Human Figure. Essay by Alexandra Monett. New Orleans: Contemporary Arts
Center, 1982. |
| Whitney
Halstead, Memorial Exhibition. Chicago: School of the Art Institute of Chicago,
1980. |
| Realism
and Metaphor. SVC Fine Arts Gallery, 1980. |
| Chicago:
the City and its Artists, 1945-1978. Essay by Barbara Tannenbaum. University
of Michigan Museum of Art. 1978. |
| Contemporary
Figure Painting in the Midwest: an Invitational Exhibition at the Madison
Art Center. Madison: Madison Art Center, 1977. |
| In
Praise of Space: the Landscape in American Art. Essay by Robert Godfrey.
New Wilmington: Westminster College, 1976. |
| Visions:
Painting and Sculpture, Distinguished Alumni 1945 to the Present. Essay
by Dennis Adrian. Chicago: School of the Art Institute of Chicago, 1976
|
| Stanze:
oil, pastelli, acquarelli, disegni, incisioni di Bailey, Barnes, Cano, Carroll,
Ceccotti, Cremonini, Ferroni, Guccione, McGarrell, Rosofsky. Essay by Mario
Quesada. Rome: Galleria Giulia, 1976. |
| Robert
Barnes. Essay by Luigi Carluccio. Torino: Galleria La Parisina, 1974. |
| Una
Tendenza Americana: Ellen Lanyon, Robert Barnes, Seymour Rosofsky, Irving
Petlin, James McGarrell. Comunale d'Arte Contemporanea, 1973. |
| Robert
Barnes. Introduction by Luigi Carluccio. Rome: Galleria II Fante di Spade,
1973. |
| Robert
Barnes. Fifty Watercolors. Essay by Dennis Adrian. Quincy: Quincy Art Club,
1970. |
| American
Painting 1970. Curated with Essay by Peter Selz. Richmond: Virginia Museum,
1970. |
| Fantasy
and Figure: Chicago Art Since World War II. Essay by Franz Schulze. New
York: American Federation of Arts, 1969. |
| Robert
Barnes: Peintures Recéntes. Introduction by Max Clarac-Sérou.
Paris: Galerie du Dragon, 1966. |
| Young
America, 1965. Thirty American Artists Under Thirty-Five. Foreword by Lloyd
Goodrich. New York: Whitney Museum of American Art, 1965. |
| 67th
Annual American Exhibition. Foreword by A. James Speyer. Chicago: Art Institute
of Chicago, 1964. |
| Forty
Artists Under Forty from the Collection of the Whitney Museum of American
Art. New York: Whitney Museum of American Art, 1963. |
| Huit
Artistes de Chicago. Essay by Franz Schulze. Paris: Galerie du Dragon, 1962. |
| 64th
American Exhibition. Paintings, Sculpture. Chicago: Art Institute of Chicago,
1961. |
| "Seeking
the City of Truth: Robert Barnes' Pastels for the Cantos of Ezra Pound,"
by Michael Rooks. The Smart Museum of Art Bulletin, 1996-97, 8-19. |
| "Allusion
and Metaphor in Robert Barnes' Arthur Cravan Still Lives," MA thesis
by Michael Rooks. The School of the Art Institute of Chicago, 1995. |
| "Blood,
Paint and Perfume," interview by Leah Stoddard, Arts Indiana, 17 (March
1995): 24-25. |
| "Robert
Barnes: Work in Progress," interview by L.E. McCullough, Arts Indiana,
12 (December 1990): 28-32. |
| "An
Interview with Robert Barnes," interview by Doris Halls. Steppin Out
(February 1986), 20-21. |
| "A
Conversation with Robert Barnes," interview by Jean Frumkin. Allan
Frumkin Gallery Newsletter, 20 (Fall 1985): |
| "Fine
Arts Professor Paints His Way to Fame and Fortune," by Valerie Carlson.
Indiana Daily Student, 11 April 1983. |
| Fantastic
Images Chicago Art Since 1945, by Franz Schulze. Chicago: Follett Publishing
Co., 1972 |
| "Inwardness:
Chicago Art Since 1945," by Max Kozloff, Artforum (October 1972): 51-57.
|
| "Reflections
on the 50's," by Franz Schulze. Chicago Daily News, Panorama, October
2-3, 1971, 13. |
| "Where
is American Painting Going?" by Franz Schulze in conversation with
Studs Terkel. WFMT Perspective, (July 1962): 18-29. |
| "Reflections
on the 1950's," by Franz Schulze. Chicago Daily News, "Panorama,"
2-3 October 1971, 13. |
| "Identities
of Postwar Chicago Art: The Image and the Dream," by Franz Schulze.
Chicago Daily News, "Panorama," 1967 |
| "Re-introducing
Robert Barnes" Alan G. Artner, Tribune art critic, March 29, 2002 |
| "Robert
Barnes: New Work," Michael Rooks, Dialogue (July/ August 1998): 11-12. |
| "Robert
Barnes," Richard Vine, Art in America (July 1998): 101-102. |
| "A
History that Defeats Itself," exhibition review by Alan Artner, Chicago
Tribune, section 7, 24, November 1996, 1,12. |
| "Blood
and Perfume: Recent Paintings by Robert Barnes." Tom Rhea, Arts Indiana
(November 1996). |
| "Robert
Barnes." Garret Holg, Art News (October 1992): 142. |
| "Barnes
Powers Paintings By Deliberation." Alan Artner, Chicago Tribune, 8
May 1992, 7: 74. |
| "Robert
Barnes." Sue Taylor. Art in America (February 1987): 156-57. |
| "Imagination
Colors Barnes Show at FIU." Helen L. Kohen. The Miami Herald. "Weekend,"'
19 September 1986, D:1.6. |
| "Barnes
Exhibit Fills FIU Gallery with Tension." Leslie Judd Ahlander. The
Miami News, 26 September 1986, 3C. |
| "Barnes
Works His Magic Using Obscure Themes." Sue Taylor. Chicago Sun-Times,
21 August 1986, 43. |
| "Two-Part
Show Irresistibly Robert Barnes." Alan Artner, Chicago Tribune, 15
August 1986, 7: 42. |
| "Two
Barnes Shows." Chicago (July 1986): 22. |
| "Robert
Barnes." Brad Loudenback. New Art Examiner (April 1986): 64. |
| "It's
Not About Art." Paul Gerard. Isthmus, 18 April 1986. |
| "Robert
Barnes."Glenn O'Brien. Artforum, (March 1986): 118. |
| "Robert
Barnes."Artnews (February 1986): 125-26. |
| "Ambiguity
Part of Attraction in Robert Barnes' Work." Nan Hoffman. The Indianapolis
Star, 9 February 1986, 11. |
| "Robert
Barnes." Peter Bushyeager. New Art Examiner, (January 1986): 61-62. |
| "Barnes
Powers Paintings by Deliberation."Alan Artner. Chicago Tribune, 8 May
1982, 7, 58:3. |
| "Explosive
Quality in Barnes' Art." Harold Hayden. Chicago Sun-Times, 22 May 1981,
54. |
| "Fragile
Beauty on Display in Avery Collection."Alan Artner. Chicago Tribune,
8 May 1981, 3: 14. |
| "Current
Exhibit at USF Demonstrates That Realism is the Ultimate in Abstraction."Robert
Martin. The Tampa Times, 29 April 1980, B:2. |
| "The
Reality of the Unconscious." Joanne Milani Rodriquez. The Tampa Tribune-Times,
27 April 1980, I: 1. |
| "USF
Realism Exhibit is Rated Outstanding." Charles Benbow. St. Petersberg
Times, April 1980, ID. |
| "A
Prelude of High-Stepping Horses: Robert Barnes." James Purdie. The
Toronto Globe and Mail, 22 April, 1978. 24. |
| "Robert
Barnes." Devonna Pieszak. New Art Examiner, (February 1978). |
| "Exhibition
Circuit Offers Three Worthwhile Stops."Alan Artner. Chicago Tribune,
15 January, 1978. |
| "Homage
to Barnes, American Master." Dennis Adrian, Chicago Daily News, Panorama,"
7-8 January 1978, 14. |
| "The
Drawings Look Drawn." by Franz Schulze, Chicago Daily News, June 1974 |
| . "America
raffinata." Guido Giuffre, Sette Giorni, 24 June 1973, 32 |
| "Una
Tendenza Americana." Tommaso Paloscia. La Nazione, 12 June, 1973. |
| "Cinque
pittori USA e il barocco." Giorgio Mascherpa, Avvenire, 9 June 1973. |
| "Americani
del dissenso." Dario Micacchi, L'Unita, 1 June, 1973. |
| "Two
New Showings Help Make Some Important Points." Jane Allen and Derek
Guthrie. Chicago Tribune, 3 October, 1971. |
| "An
Old Master and a New Journalist." Franz Schulze. Chicago Daily News,
"Panorama," 23 November, 1968 |
| "At
Ravinia Art by Native (?) Sons." Thomas Willis. Chicago Tribune, 30
June, 1968. 5:1. |
| "A
Prelude of High-Stepping Horses: Robert Barnes." James Purdie. The
Toronto Globe and Mail, 22 April, 1978. 24. |
| "Robert
Barnes." Devonna Pieszak. New Art Examiner, (February 1978). |
| "Exhibition
Circuit Offers Three Worthwhile Stops."Alan Artner. Chicago Tribune,
15 January, 1978. |
| "Homage
to Barnes, American Master." Dennis Adrian, Chicago Daily News, Panorama,"
7-8 January 1978, 14. |
| "The
Drawings Look Drawn." by Franz Schulze, Chicago Daily News, June 1974 |
| . "America
raffinata." Guido Giuffre, Sette Giorni, 24 June 1973, 32 |
| "Una
Tendenza Americana." Tommaso Paloscia. La Nazione, 12 June, 1973. |
| "Cinque
pittori USA e il barocco." Giorgio Mascherpa, Avvenire, 9 June 1973. |
| "Americani
del dissenso." Dario Micacchi, L'Unita, 1 June, 1973. |
| "Two
New Showings Help Make Some Important Points." Jane Allen and Derek
Guthrie. Chicago Tribune, 3 October, 1971. |
| "An
Old Master and a New Journalist." Franz Schulze. Chicago Daily News,
"Panorama," 23 November, 1968 |
| "At
Ravinia Art by Native (?) Sons." Thomas Willis. Chicago Tribune, 30
June, 1968. 5:1. |
| "Design,
Color Bold in Barnes Work." Alberta Friedlander. Chicago Daily News,
16 September, 1961. |
| "Chicago's
Young Rebel Artists." Alberta Friedlander. Chicago Daily News, 17 June,
1961. |
| "Grosz,
Golub, Barnes." Franz Schulze. Art News, March 1961 |
| "Barnes
Works in Fine Show." Allan Frumkin. Chicago Daily News, 31 December,
1960. |
| "Barnes
Has Exciting Show Here." Frank Holland. Chicago Sun Times, 18 December,
1960. 3:6. |
| "Fine
Prints on Display." Allan Frumkin. Chicago Daily News, 6 August, 1960. |
| "Art:
the Advance Guard." Stuart Preston. New York Times, 16 January, 1960. |
| "2
Shows Spotlight Renaissance in Art." Allan Frumkin. Chicago Daily News,
21 September, 1959. |
| "
Many Greats, Few Mediocrities: Ravinia Show is Best." Alberta Friedlander.
Chicago Daily News, 6 June, 1959. |
| "Club
Shows Easterners' Fine Works." Frank Holland. Chicago Sun Times, 7
February, 1954, 2:4. |
| "Momentum
Exhibit Falls Below Par." Frank Holland. Chicago Sun Times, 17 May,
1953, 2:8. |